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    <lastmod>2021-08-10</lastmod>
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      <image:title>Home - Steve Sanguedolce is a filmmaker and musician from Toronto, Canada.</image:title>
      <image:caption>Steve Sanguedolce is a filmmaker and musician from Toronto, Canada.</image:caption>
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  <url>
    <loc>https://www.stevesanguedolce.com/about</loc>
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    <lastmod>2021-06-01</lastmod>
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      <image:title>About</image:title>
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    <loc>https://www.stevesanguedolce.com/contact</loc>
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    <lastmod>2022-05-19</lastmod>
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  <url>
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    <lastmod>2020-12-02</lastmod>
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      <image:title>Films - LAND OF NOT KNOWING – 72 minutes – 2016.</image:title>
      <image:caption>"In this bold new experimental documentary, four artists talk about suicide: the role the recurring thought has played in their life and art, the struggle to understand and overcome the impulse, and the ongoing confrontation with a form of stigma that renders the very concept of suicide as a kind of pariah even among mental health issues and discussions. With a frankness that is both bracing and illuminating, Sanguedolce's subjects tell their stories, and the filmmaker responds with a striking visual scheme that permits us something rarely attempted in the engagement with this most misunderstood of conditions: a sense of first person understanding." Geoff Pevere 2016- RENDEZVOUS WITH MADNESS FILM FESTIVAL</image:caption>
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    <image:image>
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      <image:title>Films - AWAY - 58 minutes - 1996.</image:title>
      <image:caption>"One of the best films of this year's short film program, Sanguedolce's 59 minute movie is an audacious story that takes a unique journey into its own heart of darkness. With a nod to Francis Ford Coppola, Joseph Conrad and The Price is Right host Bob Barker, it's a story that has its own epic quality taking us from a small Sicilian village to the jungles of Thailand. Less sure directors might have lost control of a film with diverse influences such as these but Sanguedolce remains focused on the story of one man's search for a long-lost brother. And if the movie has a geographical and emotions sprawl, it remains touchingly intimate as we follow Steve (Earl Pastko) from his art-department job on Coppola's Apocalypse Now into the hinterlands of Southeast Asia in search of his brother. Intercut with scenes from the movie and Heart of Darkness, the documentary on its making, the film also manages a stop along the way at The Price is Right where Sanguedolce's father appeared as a charming and funny contestant. Part spoof and part saga, this is a film that's not without a unique sense of humor. And it proves Sanguedolce is one of the best young filmmakers in the country. It's a winner." Marc Horton - Edmonton Journal 1996</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f7210e5cf78067730618371/1601568812585-HWVNDI3EMPLABOVB2Z0T/Screen+Shot+2020-10-01+at+12.12.58+PM.png</image:loc>
      <image:title>Films - RHYTHMS OF THE HEART - 43 minutes - 1990.</image:title>
      <image:caption>"In Rhythms of the Heart, Steve Sanguedolce's affinity for expressionistic documentaries turns to the depiction of a ruined relationship. Rhythms of the Heart typifies many of the Escarpment School concerns in its blend of personal narrative and landscape, redrafting its romantic heritage in a love story that deconstructs narrative traditions even as it tears its characters apart. Sanguedolce insistently replays loss through a metaphorical landscape while tirelessly focusing on the personally domestic. The films' centre presents a myriad of visual enclosures such as sparsely lit studios, counter tops or framed bathrooms. The characters search throughout the film to find space within the maze of these settings which could allow them to live without the (Dionysian) dissolutions of sexual passion or the (Apollonian) dictates of the law." Mike Hoolboom</image:caption>
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    <image:image>
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      <image:title>Films - WOODBRIDGE - 32 minutes - 1985.</image:title>
      <image:caption>Woodbridge is a deeply personal expose of family life within the context of first generation Italian-Canadians. The film revolves around the journey of a boy from early childhood through adulthood. It highlights the conflicts of growing up in the space between two cultures with radically different customs and values. While this film documents the particular experiences of one child, it is a reflection of a sociological phenomenon common to many Canadian children. Woodbridge is different from most other documentary work primarily because the camera adopts the role of the protagonist. It presents the viewer with a multitude of images/experiences from a purely subjective point of view. The film's immediacy invites the audience to participate in the events directly, as opposed to the usual documentary experience of filmmaker as authority, audience as observer.</image:caption>
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      <image:title>Cork 2016 Festival review</image:title>
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      <image:title>Ulkar Alakbarova review</image:title>
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      <image:title>Gary Popovich blog</image:title>
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      <image:title>Gary Popovich blog</image:title>
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      <image:title>Plus Camerimage Festival – Bydgoszcz.</image:title>
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      <image:title>Mannheim-Hedelberg Int'l Film Festival</image:title>
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      <image:title>Eye Weekly Revue, Jason Anderson</image:title>
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      <image:title>Irish Examiner review</image:title>
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      <image:title>DEAD TIME Star article</image:title>
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